Lanvin FW‘25
Designer
Illustrator
Photoshop
October 2024
A study of Alber Elbaz’s work at Lanvin, focusing on couture craftsmanship, draping, and the interplay between structure and fluidity in luxury womenswear. FW25 is a capsule collection based on nautical themes and female masculinity.
Background
Lanvin, one of the oldest French fashion houses, is celebrated for its elegance, refinement, and attention to detail. This project analyzed archival collections through the lens of a nautical-inspired concept, imagining the experiences of a female pirate crew. The study focused on how Lanvin’s couture techniques: draping, tailoring, and fabric manipulation, could be translated into garments reflecting the sea, ships, and the relationship between femminity and masculinity.
Research
For this project, I focused on two key topics: female masculinity and hegemonic masculinity. Lanvin’s brand origins, inspired by Jeanne Lanvin creating for her daughter, inspired my interest in highlighting women navigating spaces traditionally dominated by men.
Connecting the collection to Alber Elbaz’s time at Lanvin manifested in the bold color choices paired with muted neutrals, a common theme in the collections Elbaz presented during his time.
Ideation
Using the color palette, fabric choices, and embellishments as a guide, I began sketching the collection, starting with the “captain” of the crew and then designing the rest of the crew around her. I incorporated elements inspired by aspects of the ship—ropes, buoys, wood, sails, and seashells—into garments that wouldn’t necessarily be practical at sea. The crew wears skirts and other traditionally impractical pieces, embracing the idea that narrative and visual storytelling can take precedence over functionality.
Final Lineup + Flats